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267
Current Issue

October 2018

#267
October 2018

From oversized volumes and rounded forms to fluid metal mesh and prismatic surfaces, AZURE’s October issue examines the concepts, materials and processes promising to redefine our spaces over the coming 12 months and beyond.

 

Paul Smith

Although he’s best known for his stripey fashion and fabrics, British designer has applied his signature motif to everything from lamps to Land Rovers. Among the brands he has collaborated with are Maharam, Anglepoise, Cappellini, Evian, Penguin Classics and Burton Snowboards, to name a few. Still going strong after nearly five decades, Smith worked with Porsche this year, wrapping a 1965 Porsche 911 race car in chunky, horizontal bands of colour. Ahead of the 2018 World Cup, he also launched a collection with athletic label New Balance. The line includes striped-up versions of the brand’s popular Made in UK 576 sneakers, the MiUK One x Paul Smith football boot and three limited-edition balls (including Furon Destroy, shown here).

 

Filigrana lamps

The whimsical candy-cane pattern that adorns this collection of Venetian-glass suspension lamps is created using the filigrana technique, developed by Murano glass-blowers in the 16th century. Designed by co-founder Sebastian Wrong, who recently returned to the brand as design director, the lights are made in four shapes and three colours. For each version of Filigrana, the colour canes are rolled directly into the surface while the glass is still in its malleable state, creating a unique pattern on each acid-etched lamp. “It’s literally eye candy,” says Wrong.

 

SwissHouse Rossa

collaborated with French artist to add a peppermint twist to the facade of this curvy-walled house in Graubünden, Switzerland. Macullo, who is also the owner, brought in Buren – known for architectural interventions that often involve adding bold, contrasting stripes to historic spaces and buildings – to paint a linear pattern of red and green onto the timber cladding. A cheerful surprise in a rural setting, the house sits in an idyllic valley, between a rocky riverbed and a forest-covered mountain. Against a backdrop of traditional structures, it feels like a castle dropped in from the pages of a pop art fairytale.

This story was taken from the October 2018 issue of Karno.in.ua. Buy a copy of the issue , or subscribe .

AZURE is an independent magazine working to bring you the best in design, architecture and interiors. We rely on advertising revenue to support the creative content on our site. Please consider whitelisting our site in your settings, or pausing your adblocker while stopping by.
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