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The evocative short film “Somewhere in Afife” depicts the last day of summer, as experienced by a house designed by Guilherme Machado Vaz in northern Portugal. 

Kengo Kuma’s sharply angled V&A Museum in Dundee, Scotland, brings new drama and energy to the city’s waterfront.

At 1 William Street in Brisbane, Woods Bagot gives the Queensland government new digs that defy the status quo.

MIT’s Self-Assembly Lab expands the potential of 3D Printing with Liquid to Air, a collection of inflatable objects.

The Japanese artist’s immersive Over Flow, on view at Lisbon’s MAAT, represents an inundation of plastic and styrofoam garbage collected from Portugal’s shores.

Artist Doug Aitken activates Michigan’s long-unoccupied State Savings Bank with Mirage Detroit, a mirrored installation that reflects, swallows and responds to its surroundings.

In a Tokyo shipyard, designer Yuma Kano transforms industrial blight into a sublime furniture collection.

Edward Burtynsky’s new doc and upcoming exhibition make the case that humans are impacting the Earth more than all natural systems combined.

U.K. design studio Newsubstance dropped Spectra, the Coachella tower that swirled with psychedelic light, on the California festival in April 2018. Expect it to remain onsite in the coming years.

Poised to open in October, the National Kaohsiung Center for the Arts (Weiwuying) has a sinuous roof-scape embedded with open-air spaces for taking in concerts.